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In one of the two most moving scenes of the film, Rosa mother has come to the hotel to prepare her daughter wake and funeral, which she wants done according to Catholic customs, despite strictures against suicide. She grapples with the shock of her daughter death and tries to understand. She doesn seem to suspect Paul, but she just wants to find a reason for such a terminal action. Bertolucci has the camera watch the widower and the bereaved mother in separate rooms, divided by a thick wall. The two areas of the frame suggest a religious diptych as death and loss are discussed, mainly by the mother. They are separated from each other, just as Rosa is now separated from both. The camera, so often on the move, tracks from one room to the other. Another scene of heartfelt sorrow and anger is one of Brando most brilliant moments in which he reveals his vulnerability and sorrow. As he sits with the body of his dead wife in a room full of suffocating flowers, he mutters incredulously, 35 cent razor and a tub full of water! [It wasn even Paul razor, but perhaps that of her lover who lives elsewhere in the hotel.] He calls her a cheap whore and adds, lied. I trusted you. There we see them in the same frame, sometimes also divided by walls, or reflected in mirrors old, dirty, discolored, some broken and windowpanes in the doors leading to balconies. Sometimes we Canada Goose Macmillan Parka
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